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Jan Van Eyck Ghent Altar (mk08) 1432
Oil on wood
Virgin and John the Baptist
Adoration of the Lamb.
Ghent St Bavon
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Jan Van Eyck Cardinal Nicola Albergati (mk45) c.1432
Oil on panel
34x26cm
Vienna,Kunsthistorisches Museum
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Jan Van Eyck Giovanni Arnolfini (mk45) c.1438
Oil on panel.
29x20
Berlin,Staatliche Museen zu Berlin-Prebischer Kulturbesitz,Gemaldegalerie
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Jan Van Eyck The Virgin of Chancellor Rolin (mk45) 1436
Oil on panel
66x62cm
Paris,Musee du Louvre
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Jan Van Eyck Details of The Virgin of Chancellor Rolin (mk45)
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Jan Van Eyck Christ (mk45) Oil on panel
44x32cm
Berlin,Staatliche Muswse zu Berlin-Preubischer Kulturbeitz,Gemaldegalerie
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Jan Van Eyck The Arnolfini Marriage mk50
1434
National Gallery,London
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Jan Van Eyck Hl.Hieronymus mk66
1442
Pergament auf Holz
20.5x13.3cm
The Detroit Institute of Arts.Detroit
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Jan Van Eyck Adoration fo the Mystic Lamb,from the Ghent Altarpiece mk68
Oil on wood
Ghent
CHurch of Saint Bao
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Jan Van Eyck Portrait of Giovanni Arnolfini and His Wife mk68
1434
Nothern Renaissance
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Jan Van Eyck Details of Portrait of Giovanni Arnolfini and His Wife mk68
1434
Nothern Renaissance
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Jan Van Eyck Virgin and child,with saints and donor mk76
Painted c.1441
Oil on panel
18 5/8x24 1/8in
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Jan Van Eyck Details of virgin and child,with saints and donor mk76
Painted c.1441
Oil on panel
18 5/8x24 1/8in
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Jan Van Eyck Giovanni Aronolfini und seine Braut Giovanna Cenami mk92
1450
83x62cm
London,
National Gallery
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Jan Van Eyck The Dog mk129
a symbol of devotion since time im-memorial,
Stands for conjugal fidelity.
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Jan Van Eyck Origins of the Portrait mk129
Oil on canvas
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Jan Van Eyck Virgin and Child with Saints and Donor mk29
Oil on canvas
47.3x61.3cm
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Jan Van Eyck Cardinal Niccolo Albergati mk150
c.1435
Oak
34.1x27.3cm
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Jan Van Eyck Adoration of the Lamb mk156
Oil on panel
350x461cm
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Jan Van Eyck Man in Red Turban mk156
1433
Oil on panel
26x19cm
National Gallery
London
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Jan Van Eyck
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1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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